According DRAE, you called rogue (dra) in Venezuela the offender, especially the young. However, there is perhaps another concept that is inferred in the use of this word and that is not the official definition: the attitude. And is that criminals, to Pedro Navaja, are a risky move, nice weekend, awesome. Malandra then.
This concept is not written in any side-only in the symbolic imaginary Venezuelan ", is what best describes the tone Nelson Hippolyte interviews Ortega, published in the journal Holiday newspaper El Nacional between 1982 and 1989, are compiled in this book. Some of them were made to characters who were at the height of his success, others were falling glories bright days they remembered with pride, nostalgia and passion. Havens and personal hells of these public figures are revealed to the interviewer's questions that business becomes, more than once, a major player in the boxing journalism. Interviews
scoundrels (40 discussions irreverent) is a compilation missed not only for journalists interested in the genre, but for all who will come through the memory or knowledge to the Venezuela of the 80 that now seems so far away suspiciously. Although many people can judge any questions or views of the journalist as unethical, all interviews allow reflection and learning about the practice of journalism regardless of whether you agree with this thug style or not. Maria Conchita Alonso
interrupted the interview when asked, at the height of his career, if I wanted to be famous. Aldemaro Romero stated that it belonged to the gay power of the Venezuelan culture. Arturo Uslar Pietri said Venezuelan film that was very bad. Delia Fiallo had, with infinite tenderness, he had a pet rat. Oscar Yanes delusional made this confession: when the news that one had to cover was hanged, he was asked by police officers who hang back to take a picture to accompany the article. Interviews scoundrels are full of memorable moments such as these that reflect the human side, and a little dark, of these famous figures.
In this work, only two details that I regretted: the lack of pictures accompanying the interview and the cover, that does not do any justice to the content. I hope to improve both aspects to improve it. Of the remainder, I recommend it fully. Joanna Ruiz Méndez
This concept is not written in any side-only in the symbolic imaginary Venezuelan ", is what best describes the tone Nelson Hippolyte interviews Ortega, published in the journal Holiday newspaper El Nacional between 1982 and 1989, are compiled in this book. Some of them were made to characters who were at the height of his success, others were falling glories bright days they remembered with pride, nostalgia and passion. Havens and personal hells of these public figures are revealed to the interviewer's questions that business becomes, more than once, a major player in the boxing journalism. Interviews
scoundrels (40 discussions irreverent) is a compilation missed not only for journalists interested in the genre, but for all who will come through the memory or knowledge to the Venezuela of the 80 that now seems so far away suspiciously. Although many people can judge any questions or views of the journalist as unethical, all interviews allow reflection and learning about the practice of journalism regardless of whether you agree with this thug style or not. Maria Conchita Alonso
interrupted the interview when asked, at the height of his career, if I wanted to be famous. Aldemaro Romero stated that it belonged to the gay power of the Venezuelan culture. Arturo Uslar Pietri said Venezuelan film that was very bad. Delia Fiallo had, with infinite tenderness, he had a pet rat. Oscar Yanes delusional made this confession: when the news that one had to cover was hanged, he was asked by police officers who hang back to take a picture to accompany the article. Interviews scoundrels are full of memorable moments such as these that reflect the human side, and a little dark, of these famous figures.
In this work, only two details that I regretted: the lack of pictures accompanying the interview and the cover, that does not do any justice to the content. I hope to improve both aspects to improve it. Of the remainder, I recommend it fully. Joanna Ruiz Méndez
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